Tempe House & St Magdalenes Chapel

Item details


Name of item:	Tempe House & St Magdalenes Chapel
Other name/s:	Discovery Point Park (21st century name created by Australand for redevelopment)
Type of item:	Complex / Group
Group/Collection:	Religion
Category:	Convent/Nunnery
Location:	Lat: -33.9293581740 Long: 151.1555541640
Primary address:	1 Princes Highway, Arncliffe, NSW 2205
Parish:	St George
County:	Cumberland
Local govt. area:	Rockdale
Local Aboriginal Land Council:	Metropolitan

Property description

Lot/Volume Code	Lot/Volume Number	Plan/Folio Code	Plan/Folio Number
LOT	2	DP	1048491
PART LOT	10	DP	1062413
PART LOT	11	DP	1062413
PART LOT	12	DP	1062413
LOT	12	DP	1062413
LOT	13	DP	1062413
PART LOT	13	DP	1062413
PART LOT	199-204	DP	1103650
PART LOT	205	DP	1103650
PART LOT	400	DP	1161708
		CP/SP	77902
		cp/sp	79529

All addresses

Street Address	Suburb/town	LGA	Parish	County	Type
1 Princes Highway	Arncliffe	Rockdale	St George	Cumberland	Primary Address

Statement of significance:


	Tempe House is of exceptional historical significance as a remarkably intact 1830s villa still within its largely unaltered landscape setting. Designed by John Verge, Tempe House is an exceptional and rare example of Neo-Classical Georgian architecture, self-consciously designed as an 'Arcadian villa" for a picturesque setting and the only such example in the Sydney Metropolitan area. The site's association with the historical figures of A.B. Spark, Tempe's original owner, and following occupants, Caroline Chisholm and the Sister's of The Good Samaritan Order is also of significance. The site's intact nature makes it a valuable technical and research resource. As the only remaining building from the long period of the Sisters of the Good Samaritan Order's ownership, the St. Magdalen's Chapel, is of high social significance and represents the philosophy and religious beliefs of what was a large and rare charitable institution operating throughout the late 19th and 20th century. Architecturally the St. Magdalen's Chapel is also noteworthy. Tempe Estate is of exceptional social significance in the local area and displays landmark qualities that can be appreciated from a wide surrounding area. The garden and grounds of Tempe House, on the Cooks River Arncliffe are of cultural significance on a State level for their siting and development by A.B. Spark according to Romantic Picturesque principles. Tempe Estate is a rare example of an 1830s villa which is still able to be appreciated in its landscape setting. The grounds are of exceptional importance for their ability to demonstrate close adherence to early nineteenth century design principles, including the modified natural element Mt Olympus - an unusual example of a detached shrubbery, and for surviving early fabric - walling, gateposts and sundial. They are important for their association for one hundred years with the Sisters of the Good Samaritan and for their framework of mature plantings, particularly the early Olea europaea subsp. Europaea. The group of eucalypts on Mount Olympus has value in providing evidence of the natural vegetation on the site. Mount Olympus and the group of eucalypts which, as a group, are rare on a local level. These are an identifiable natural landmark on the Princes Highway. The potential archaeological remains within the study area have a high level of historic and archaeological significance and research potential. The archaeological excavation and analysis of the remains associated with Tempe House occupation are likely to further our understanding of the colonial occupation of the house, and the material culture and living standards of elite families, their staff and convict servants and colonial attitudes towards gardens and recreation. The potential archaeological evidence associated with the occupation of the site by the Sisters of the Good Samaritan and their reform institution should provide important information, the analysis and interpretation of which will advance our understanding of reform ideology in the late nineteenth century and early twentieth centuries in Australia. Tanner & Associates 2001:141
	Date significance updated: 14 Nov 03
	Note: The State Heritage Inventory provides information about heritage items listed by local and State government agencies. The State Heritage Inventory is continually being updated by local and State agencies as new information becomes available. Read the OEH copyright and disclaimer.

Description


Designer/Maker:	John Verge (villa); Sheerin & Hennessy (Magdalene buildings)
Construction years:	1833-1836
Physical description:	ESTATE AND GROUNDS: Tempe house site covered (in 2001) twelve (12) acres, subdivided into twelve (12) lots and is confined on all sides by a rail line, the Cooks River, the Princes Highway and an industrial area, the building remains largely intact and is constructed from traditional bearing walls, timber floors and roof framing. The house is symmetrically detailed utilizing classic motifs. [Tanner & Associates, 2001: p.61]. Tempe house stands amongst a scenic garden setting depicted as an ideal 'Arcadian' landscape, with a long looped carriageway. The grounds are of exceptional importance for their ability to demonstrate close adherence to early nineteenth century design principles, including the modified natural element Mt Olympus - an unusual example of a detached shrubbery, and for surviving early fabric - walling, gateposts and sundial. They are important for their association for one hundred years with the Sisters of the Good Samaritan and for their framework of mature plantings, particularly the early Olea europaea subsp. europaea. The group of eucalypts on Mount Olympus has value in providing evidence of the natural vegetation on the site. Mount Olympus and the group of eucalypts which, as a group, are rare on a local level. These are an identifiable natural landmark on the Princes Highway. Mt.Olympus is a small hill on the eastern side of Tempe House, adjoining (on the south side of) the Cook's River. Immediately east of Mt.Olympus is the Princes Highway. Immediately south of it is an access road and high rise blocks of flats built since 2002. With subsequent master-planned subdivision and construction of Wolli Creek town centre apartments, Tempe House's grounds have been reduced to Mt. Olympus to its east, a wide lawn area in front (north of the house) to the Cook's River, and some land around St. Mary Magdalen's Chapel to the house's west and north-west of that. This open space is now called 'Discovery Park'. This park is broadly a sweep of grass afore the house between it and the river, with a crescent of trees nearer but south and north-west and west of the house. A brick wall around the edge of the lawn near the chapel dates to the religious order's era of occupation and provides division of space. Two pedestrals in sandstone with sandstone urn end and edge the western end of this wall, near the apartment blocks to the house's west (Stuart Read, 15/2/2018). Trees in Discovery Park include: NW of the house/lawn: Canary Island date palms NW of the house (Phoenix canariensis); W and NW of the house, closer to it and the chapel: Two European elms (Ulmus procera) north of the house on the (Discovery Park) lawn. Closer to the house's west and north of the Magdalene Chapel are a large evergreen holly or holm oak (Quercus ilex), a Southern nettle tree (Celtis australis), an American sweet gum (Liquidambar styraciflua), two Port Jackson figs (Ficus rubiginosa), one of which is an epiphyte which is growing on and taking over a camphor laurel (one of two such: Cinnamommum camphora), a Californian desert fan palm (Washingtonia robusta) and a Moreton Bay fig which is in poor condition (ibid, 2018). Further north-west in Discovery Park are a line of Canary Island date palms (Phoenix canariensis)(ibid, 2018). A range of shrubs and lower ground covers (mainly matt-rush, Lomandra spp.) make up the underplanting of the trees noted above (except the palms and two elms in the lawn), and similar shrubs fringe the house and lawn's east and Mt. Olympus. Mt. Olympus is richly planted with a mixture of exotic and native trees, shrubs and ground covers (ibid, 2018). TEMPE HOUSE The Northeast elevation boasts bull nose edged verandahs and principally retains the form of the original verandah. There are two pairs of cedar French doors with fanlights above. The windows are symmetrically positioned on the facade, as are the semi circular verandahs with Tuscan timber columns situated either side of the central stairway. The entrance has a wide eight (8) paneled door. [Tanner & Associates, 2001: pp.62-63]. The Southeast elevation incorporates a courtyard with simple detailing and one entry, that is the original six (6) paneled wide cedar door. The original hipped roof is visible from the courtyard as is a small portion of the original verandah, however, the roof has been modified [Tanner & Associates, 2001: p.64]. The interior of the house has many of the rooms retaining French doors and there are early fireplaces, and six (6) paneled doors throughout most of the common areas. Every room has views out to the trees, and the house revolves around a central hallway. The cedar joinery is finely molded, and is of a similar design throughout the intact areas of the house. The parlour and dining room both feature colonial marble fireplaces and French windows with large areas of glazing for optimal views of the river. There is evidence of the original floorboards in the rear rooms of the house [Tanner & Associates, 2001: p.76-80]. ST MAGDALENE'S CHAPEL The chapel was built approximately fifty (50) years after Tempe House and is constructed from good quality red brick with cream brick and sandstone detailing. The Chapel, like the house, represents the period of architectural style in which it was built. The Chapel is an example of Victorian Gothic architecture and measures approximately twenty (20) metres long, by ten (10) metres wide, and is a tall single story structure with a steeply sloping roof. The northeast elevation has stained glass windows with carved sandstone windowsills and simply detailed gables capped with corbelled sandstone eaves, copper guttering and circular down pipes. The southeast elevation has a simple rose window high on the gable end [Tanner & Associates, 2001: p.72-74]. The interior of the chapel is plainly finished, and the detail of religious scenes in the stained glass windows is evident. The most striking feature is the vaulted cedar boarded ceiling supported by a series of arched ribs. The interior of the Chapel consists of mainly one large room, with the altar stretching the width of the building, and has an ornate balustrade of wrought iron and timber [Tanner & Associates, 2001: p.81-82]. The chapel's setting on the west and north-west is lawn, with a box (Buxus sempervirens) hedge near its south-west side. A young hoop pine (Araucaria cunninghamiana) is to the chapel's south (ibid, 2018).
Physical condition and/or Archaeological potential:	6/2001: The results of the archeological assessment indicate that if any archaeological deposits relating to the early nineteenth century use of the site survive, then they are likely to be of high historical and archaeological significance.
	Date condition updated:11 Jun 09


Current use:	not in current use.
Former use:	Aboriginal land, Country estate, Religious community/work place, residence

History

Historical notes:

The land on which Tempe House now sits was first released in 1809 as a series of three land grants, the largest portion awarded to Sergeant William Packer and the remaining two grants were reissued in 1810 by Governor Macquarie. Sergeant Packer sold his land to the original owner of Tempe House, Alexander Brodie Spark in 1826 for 100 pounds Tanner & Associates, 2001, 7).

Spark shared Colonial Secretary Alexander Macleay's aspirations for a picturesque estate but his plans for Tempe were more modest in scale. Spark, 'a struggling, worrying lerk with literary pretensions', in England, had inherited sufficient money to undertake a 'grand tour' of Europe, visiting Mount Olympus in Greece's Vale of Tempe, before migrating to Australia (Morris, 2008, 68).

In 1826 he purchased 110 acres of land, which included a cottage, at Cook's River, and by 1828 he had an overseer and gardener in his employment there. In July 1829 he was supplied with olives, guava and mulberry cuttings from the Sydney Botanic Gardens, and by 1830 he was experimenting with grape growing on the estate (ibid, 2008, 68).

Spark chose a site for his house that was backed by a wooded hill later called Mount Olympus, emphasising the association between his travels in search of the picturesque and his own 'Vale of Tempe'. The house sat on a slight bench in the landscape, a favoured model for country residences, as espoused by prominent late 18th century landscape designer Humphry Repton and repeated by John Claudius (J.C.) Loudon, who advocated that residences should be 'on a raised platform, the rising grounds behind being planted both for effect and shelter'. Spark also built the mansion 'Tusculum', at Potts Point, but did not live there long. He moved to Tempe in 1833 and occupied his new house in 1836. He hung its walls with fine paintings and saw his verandah finished and a lawn formed in front of the house long before Alexander Macleay lived at Elizabeth Bay (ibid, 2008, 68).

Alexander Brodie Spark (1792-1856) was born in Elgin, Scotland to George and Mary Spark. He arrived in Sydney in 1823 aboard the Princess Charlotte and established himself as a merchant. In 1840 he married the widow Frances Maria Radford, and here at Tempe estate, they raised their six children. Spark was a leading business figure in the colony of New South Wales. He became a major landowner and was the founding director for many of the early companies in NSW. Spark had shipping interests, was a magistrate and assessor for the Supreme Court, a patron of the arts and had influence in social and political circles. He also kept a detailed diary, which survives today and provides an interesting insight into life in colonial NSW from the 1820s-50s (Discovery Park sign c/o Dr Robert & Mrs Kerry Spark and family).

Tempe estate was named after the 'Vale of Tempe' in Ancient Greece, due to its extensive gardens, designed to enhance the view of the Cooks River (Tanner & Associates, 2001, 7). The Vale of Tempe is a gorge in Northern Thessaly (Northern Greece), located between Olympus to the north and Ossa to the south. The valley is 10km long and as narrow as 25m in places, with cliffs nearly 500m high, and through it flows the Pineious River on its way to the Aegean Sea. In ancient times it was celebrated by Greek poets as a favourite haunt of Apollo and the Muses. On the right bank of the Pineious River sat a temple to Apollo, near which the laurels used to crown the victorious in the Pythian games were gathered. After touring this area of Greece in the 1820s, Spark chose the name 'Tempe' for his home on the banks of the Cook's River (Discovery Park sign, sponsodred by David & Olivera Ferguson of Strata Plus).

Tempe house was commissioned in 1831 by renowned architect John Verge and is a rare example of his architectural style. Records from the 1828 census indicate that there were six (6) people living and working on the estate at the time, and by the 1836 census, there were thirty-one (31) people recorded as living and working on the estate. (ibid, 2001, 7-11). Spark's head gardener was Thomas Birkby (Discovery Park sign, sponsored by David & Olivera Ferguson of Strata Plus).

Tempe estate formed a deliberately modified natural element, identified as 'Mt Olympus', which included Australian shrubbery, and created a suitable backdrop for a house in a picturesque setting [Tanner & Associates, 2001: p.131]. The riverbanks were developed to lay extensive lawns, and as the property was only accessible by boat at the time, a wharf was constructed to accommodate guests, however, it was not completed until 1838 [Tanner & Associates, 2001: p.11]. The house after completion was used extensively for entertainment purposes and the scenic gardens included up to fifty (50) differing varieties of grape vines from France, which also attracted horticultural awards (ibid, 2001, 26).

Within a large estate there was often a clear distinction between the picturesque landscape setting for the house and the area where practical gardening was carried out. This was the case at Tempe: its famous garden was an enormous fenced rectangle on flat land - a kitchen and flower garden combined - in which Spark indulged his interests and where his English-born gardener Thomas Birkby supervised thirteen convict labourers. Sydney's Botanic Gardens supplied the architecturally striking dragon tree (Dracaena draco), rose, olive, passion flower and cuttings of honey flower (Melianthus major), lime, shaddock (a kind of grapefruit), James Busby's vines, coral and Indian rubber trees and numerous ornamental shrubs (ibid, 2008, 68).

During the late 1830s, Spark purchased plants from Shepherd's (Darling) Nursery (Chippendale), delighting in a 'double dahlia out in all its purple splendour', visited Macleay in his garden at Elizabeth Bay and keenly participated in the horticultural and botanical societies of his time. He was a mainstay of the newly-formed Floral and Horticultural Society, where he showed pomegranates and olives and won prizes for his flowers of 'heath (Erica) and Protea near (possibly P.neriifolia or P.nana)'. His purchase at auction of some paeonies and rare cacti indicate a quest for unusual specimens, some of which earned him prizes when exhibited (ibid, 2008, 68).

Artist Conrad Martens, who arrived in Sydney in 1835, was at one with the aesthetic tastes of his ambitious patrons and rendered the picturesque scenes to which they aspired in watercolours and oils to hang in their drawing rooms. Lady Jane Franklin acquired a Martens sketch of Tempe that she liked so much she took pleasure in visiting the estate in 1839. She described a garden with walks crossing at right angles, Norfolk Island pines at the intersections, a hoop pine, wattle trees, orange and lemons and 'one long trellis-covered wall of vines, all differently marked' (ibid, 2008, 68-69).

The construction of a dam between 1839 and 1841 was built from quarried stone in the surrounding cliffs by convict labour, and served to enhance the Estate's already splendid views. The dam allowed the area to be linked to the city by road, leading Spark, in 1841, to construct a carriage drive, a new coach house, stables and grooms quarters (ibid, 2001,16-17]. The stables burnt down in 1844, and were replaced, where they then remained until 1960 [Anglin and Associates, Conservation Plan: Tempe Estate, 1988: p.13].

1840 saw Spark begin to face extensive business problems, with his personal borrowings seemingly insurmountable. He attempted to rectify his position by planting saleable crops, however, was eventually overcome and his insolvency was listed on the 23rd August 1843. He remained at Tempe Estate with his wife and children and attempted to sell twice, however, at the time of his death in 1856 his estate failed to meet his debts [Tanner & Associates, 2001: pp.18-19].

Spark was one of the original trustees of St. Peter's Anglican Church, St.Peters. When Spark died he was buried in St. Peter's graveyard. The location of the grave is uncertain (St. Peter's parish, interpretive sign from graveyard).

Spark's house and garden, his wealth and charmed life may have drawn much attention, but he was in a vulnerable financial position. By June 1842 he and his wife, Maria, were picking their own oranges. Several months later Spark wrote, intend to make the garden pay its own expenses. From the proceeds of some cabbages, purchased a quantity of flower pots, to hold bulbs for sale.' At the close of 1842, Spark, director of the foundering Bank of Australia, could 'scarcely provide money enough for common expenditure'. Although declared insolvent, he held on to his beloved Tempe, continuing to garden and farm there - 'did great execution with the saw' he wrote, in 1848, 'in opening up vistas in the garden, my spouse aiding in cleaning and transplanting.'(ibid, 2008, 69).

Numerous artists have painted the beautiful vistas of the Tempe House Estate, many of their works hang in major galleries of the world. The most prominent of these artists who have painted the estate from teh opposite bank of the Cooks River, since 1836 are:
- John Glover, 1767-1849;
- Conrad Marens, 1801-78;
- Maurice Appleby Felton, 1803-42;
- John Skinner Prout, 1805-76;
- Georgiana Lowe, 1813-84;
- Samuel Elyard, 1817-1910;
- Frederick Casemero Terry, 1825-69;
- John James Clark, 1838-1915; and
- Sydney Long, 1871-1955 (Discovery Park sign, sponsored by Anthony Kioutsis of Result Property Group).

Following Spark's death in 1856, the 11 acre lot that included the house, part of the garden, shrubbery and orchard (ibid, 2008, 70), Tempe Estate was subdivided and the house was auctioned and sold to brothers Patrick and Thomas Maguire on the 24th August 1859 for 2000 pounds. The brothers never resided at Tempe Estate in their twenty years of ownership, however, leased the property out, most notably to Caroline Chisholm. In the years 1863 to 1865, Caroline Chisholm, seen as one of Australia's greatest philanthropists, ran an educational establishment for young ladies in Tempe House (ibid, 2001: 22). Advertisements for the establishment extolled the virtues of its bath house, its pleasure grounds, gardens and orchard 'intersected by wide and shady walks' (ibid, 2008, 70).

In 1876, Tempe House was leased as a private residence to Mr C.T.Richardson [Tanner & Associates, 2001: p.23].

In 1883 Tempe House was bought by the Sisters of the Good Samaritan, who owned it for over a century and used it as a women's refuge called St. Magdalen's Retreat. During this period, highway widening on the eastern boundary dramatically reduced Mount Olympus and the immediate local area became industrialised (ibid, 2008, 70).

On November 23rd 1884, Tempe Estate was sold at Auction to Frederick Gannon for 4000 pounds who then sold it five (5) months later for the sizable sum of 6,750 pounds to the Trustees of the Good Samaritan Order, Mary Anne Adamson, otherwise known as Superior General Magdalene and Margaret Mary Byrne (ibid, 2001: 23).

The Good Samaritan Order focused on unmarried mothers and women who were seen to be at risk of sin. By 1887, the sisters had raised enough money to build a penitentiary, laundries and accommodation. The new buildings accommodated forty (40) penitents and were renamed St Magdalene's refuge, also known as The Retreat. A new Chapel was constructed in 1888, adjacent to the house, and by 1900, over one hundred (100) people worked a daily routine in the laundry operations and an inquiry into the refuge over unpaid wages was settled in favour of the Order (ibid, 2001: 24-25).

Renowned architects Sheerin and Hennessy were the principal architects employed to design the new penitentiary, laundries and accommodation for St Magdalene's Retreat. It is unclear who designed the Chapel, however, as it has a similar architectural style as the new buildings, the indication was that Sherrin and Hennessy were employed once again. Whilst further additions were made, the house remained largely unaltered until 1944-1945 [Tanner & Associates, 2001: pp.28-29].

By 1944, the Retreat began to develop more into a training centre for the rehabilitation of delinquent girls, who had ended up in the court system, and in the 1940's, there were 55 girls housed at the Estate(ibid, 2001: 32). Facilities to aid education were added in 1954, a swimming pool in 1959 and a chaplains residence in 1972. External conservation work was undertaken to repair deterioration on the verandah bays that was completed by Hurst and Kennedy architects in 1977 (ibid, 2001: 41).

From 1985 onwards various schemes were raised to develop Tempe House, and ownership changed hands several times (ibid, 2008, 70).

The Good Samaritan Order remained in ownership of Tempe Estate for over 100 years and in 1989 sold it to Qantek, a branch of Qantas (ibid, 2001: 37).

By 1999 Tempe House was at the centre of a new residential and commercial venture that involved blasting Mount Olympus on its southern side to accommodate one of the apartment buildings that now rises above it. Tempe House has been conserved as an immaculate relic dwarfed by the apartment buildings encircling its southern and western sides. Form many observers the opportunity to recover the significance of Tempe Estate was lost (ibid, 2008, 70).

1990 saw a permanent Conservation order established for Tempe Estate, including the house and surrounding grounds to the riverfront. The landscape was deemed to be of greater significance than the buildings associated with the Good Samaritan Order and subsequently, they were demolished with the exception of the Chapel and the iron fencing (ibid, 2001: 37).

The property passed possession from Qantek to Interciti Arncliffe Developments Pty. Ltd in 2000 (ibid, 2001: p.42], who have carried out staged high density development over the southern part of the former estate around a new railway station, Wolli Creek.

Historic themes

Australian theme (abbrev)	New South Wales theme	Local theme
1. Environment-Tracing the evolution of a continent's special environments	Environment - naturally evolved-Activities associated with the physical surroundings that support human life and influence or shape human cultures.	Changing the environment-
2. Peopling-Peopling the continent	Convict-Activities relating to incarceration, transport, reform, accommodation and working during the convict period in NSW (1788-1850) - does not include activities associated with the conviction of persons in NSW that are unrelated to the imperial 'convict system': use the theme of Law & Order for such activities	Convict labour-
2. Peopling-Peopling the continent	Convict-Activities relating to incarceration, transport, reform, accommodation and working during the convict period in NSW (1788-1850) - does not include activities associated with the conviction of persons in NSW that are unrelated to the imperial 'convict system': use the theme of Law & Order for such activities	Creating a gentleman's estate-
2. Peopling-Peopling the continent	Convict-Activities relating to incarceration, transport, reform, accommodation and working during the convict period in NSW (1788-1850) - does not include activities associated with the conviction of persons in NSW that are unrelated to the imperial 'convict system': use the theme of Law & Order for such activities	Working on private assignment-
2. Peopling-Peopling the continent	Convict-Activities relating to incarceration, transport, reform, accommodation and working during the convict period in NSW (1788-1850) - does not include activities associated with the conviction of persons in NSW that are unrelated to the imperial 'convict system': use the theme of Law & Order for such activities	Housing convicts in communal or shared accommodation-
3. Economy-Developing local, regional and national economies	Environment - cultural landscape-Activities associated with the interactions between humans, human societies and the shaping of their physical surroundings	Significant Places: How are significant places marked in the landscape of Parramatta by, or for, different groups?-Monuments and Sites
3. Economy-Developing local, regional and national economies	Environment - cultural landscape-Activities associated with the interactions between humans, human societies and the shaping of their physical surroundings	Developing local, regional and national economies-National Theme 3
3. Economy-Developing local, regional and national economies	Environment - cultural landscape-Activities associated with the interactions between humans, human societies and the shaping of their physical surroundings	Landscapes and parklands of distinctive styles-
3. Economy-Developing local, regional and national economies	Environment - cultural landscape-Activities associated with the interactions between humans, human societies and the shaping of their physical surroundings	Landscapes and gardens of domestic accommodation-
3. Economy-Developing local, regional and national economies	Environment - cultural landscape-Activities associated with the interactions between humans, human societies and the shaping of their physical surroundings	Gardens demonstrating the travels and sojurns of a gardener-
3. Economy-Developing local, regional and national economies	Environment - cultural landscape-Activities associated with the interactions between humans, human societies and the shaping of their physical surroundings	Gardens and landscapes reminiscent of an 'old country'-
4. Settlement-Building settlements, towns and cities	Accommodation-Activities associated with the provision of accommodation, and particular types of accommodation – does not include architectural styles – use the theme of Creative Endeavour for such activities.	Country Villa-
4. Settlement-Building settlements, towns and cities	Accommodation-Activities associated with the provision of accommodation, and particular types of accommodation – does not include architectural styles – use the theme of Creative Endeavour for such activities.	Housing the prosperous - mansions in town and country-
4. Settlement-Building settlements, towns and cities	Accommodation-Activities associated with the provision of accommodation, and particular types of accommodation – does not include architectural styles – use the theme of Creative Endeavour for such activities.	Housing famous families-
4. Settlement-Building settlements, towns and cities	Accommodation-Activities associated with the provision of accommodation, and particular types of accommodation – does not include architectural styles – use the theme of Creative Endeavour for such activities.	Suburban Consolidation-
4. Settlement-Building settlements, towns and cities	Accommodation-Activities associated with the provision of accommodation, and particular types of accommodation – does not include architectural styles – use the theme of Creative Endeavour for such activities.	Adapted heritage building or structure-
4. Settlement-Building settlements, towns and cities	Accommodation-Activities associated with the provision of accommodation, and particular types of accommodation – does not include architectural styles – use the theme of Creative Endeavour for such activities.	gentlemen's residences-
4. Settlement-Building settlements, towns and cities	Accommodation-Activities associated with the provision of accommodation, and particular types of accommodation – does not include architectural styles – use the theme of Creative Endeavour for such activities.	Housing for merchants and dealers-
4. Settlement-Building settlements, towns and cities	Land tenure-Activities and processes for identifying forms of ownership and occupancy of land and water, both Aboriginal and non-Aboriginal	1820s-1850s land grants-
4. Settlement-Building settlements, towns and cities	Land tenure-Activities and processes for identifying forms of ownership and occupancy of land and water, both Aboriginal and non-Aboriginal	Early land grants-
4. Settlement-Building settlements, towns and cities	Land tenure-Activities and processes for identifying forms of ownership and occupancy of land and water, both Aboriginal and non-Aboriginal	Villas-
4. Settlement-Building settlements, towns and cities	Land tenure-Activities and processes for identifying forms of ownership and occupancy of land and water, both Aboriginal and non-Aboriginal	Sub-division of large estates-
4. Settlement-Building settlements, towns and cities	Land tenure-Activities and processes for identifying forms of ownership and occupancy of land and water, both Aboriginal and non-Aboriginal	Naming places (toponymy)-
4. Settlement-Building settlements, towns and cities	Land tenure-Activities and processes for identifying forms of ownership and occupancy of land and water, both Aboriginal and non-Aboriginal	Changing land uses - from rural to suburban-
4. Settlement-Building settlements, towns and cities	Towns, suburbs and villages-Activities associated with creating, planning and managing urban functions, landscapes and lifestyles in towns, suburbs and villages	Subdivision of rural estates-
4. Settlement-Building settlements, towns and cities	Towns, suburbs and villages-Activities associated with creating, planning and managing urban functions, landscapes and lifestyles in towns, suburbs and villages	19th century suburban developments-
4. Settlement-Building settlements, towns and cities	Towns, suburbs and villages-Activities associated with creating, planning and managing urban functions, landscapes and lifestyles in towns, suburbs and villages	Creating landmark structures and places in suburban settings-
4. Settlement-Building settlements, towns and cities	Towns, suburbs and villages-Activities associated with creating, planning and managing urban functions, landscapes and lifestyles in towns, suburbs and villages	Developing the social life of a rural community-
4. Settlement-Building settlements, towns and cities	Towns, suburbs and villages-Activities associated with creating, planning and managing urban functions, landscapes and lifestyles in towns, suburbs and villages	Impact of railways on suburban development-
4. Settlement-Building settlements, towns and cities	Towns, suburbs and villages-Activities associated with creating, planning and managing urban functions, landscapes and lifestyles in towns, suburbs and villages	Suburban Consolidation-
4. Settlement-Building settlements, towns and cities	Towns, suburbs and villages-Activities associated with creating, planning and managing urban functions, landscapes and lifestyles in towns, suburbs and villages	Rural Estates-
4. Settlement-Building settlements, towns and cities	Towns, suburbs and villages-Activities associated with creating, planning and managing urban functions, landscapes and lifestyles in towns, suburbs and villages	A quiet Rural District-
4. Settlement-Building settlements, towns and cities	Towns, suburbs and villages-Activities associated with creating, planning and managing urban functions, landscapes and lifestyles in towns, suburbs and villages	Country Villa-
4. Settlement-Building settlements, towns and cities	Towns, suburbs and villages-Activities associated with creating, planning and managing urban functions, landscapes and lifestyles in towns, suburbs and villages	living in the suburbs-
4. Settlement-Building settlements, towns and cities	Towns, suburbs and villages-Activities associated with creating, planning and managing urban functions, landscapes and lifestyles in towns, suburbs and villages	living in the country-
4. Settlement-Building settlements, towns and cities	Towns, suburbs and villages-Activities associated with creating, planning and managing urban functions, landscapes and lifestyles in towns, suburbs and villages	Developing suburbia-
4. Settlement-Building settlements, towns and cities	Towns, suburbs and villages-Activities associated with creating, planning and managing urban functions, landscapes and lifestyles in towns, suburbs and villages	Country Estate-
4. Settlement-Building settlements, towns and cities	Towns, suburbs and villages-Activities associated with creating, planning and managing urban functions, landscapes and lifestyles in towns, suburbs and villages	Role of transport in settlement-
5. Working-Working	Labour-Activities associated with work practises and organised and unorganised labour	Working independently on the land-
5. Working-Working	Labour-Activities associated with work practises and organised and unorganised labour	Working in factories-
5. Working-Working	Labour-Activities associated with work practises and organised and unorganised labour	Servants quarters-
5. Working-Working	Labour-Activities associated with work practises and organised and unorganised labour	Working on orchards-
5. Working-Working	Labour-Activities associated with work practises and organised and unorganised labour	Supporting women with domestic work-
6. Educating-Educating	Education-Activities associated with teaching and learning by children and adults, formally and informally.	Private education-
6. Educating-Educating	Education-Activities associated with teaching and learning by children and adults, formally and informally.	Trade education-
6. Educating-Educating	Education-Activities associated with teaching and learning by children and adults, formally and informally.	apdated villa/ cottage for a school-
8. Culture-Developing cultural institutions and ways of life	Creative endeavour-Activities associated with the production and performance of literary, artistic, architectural and other imaginative, interpretive or inventive works; and/or associated with the production and expression of cultural phenomena; and/or environments that have inspired such creative activities.	work of stonemasons-
8. Culture-Developing cultural institutions and ways of life	Creative endeavour-Activities associated with the production and performance of literary, artistic, architectural and other imaginative, interpretive or inventive works; and/or associated with the production and expression of cultural phenomena; and/or environments that have inspired such creative activities.	Architectural styles and periods - Greek revival-
8. Culture-Developing cultural institutions and ways of life	Creative endeavour-Activities associated with the production and performance of literary, artistic, architectural and other imaginative, interpretive or inventive works; and/or associated with the production and expression of cultural phenomena; and/or environments that have inspired such creative activities.	Interior design styles and periods - Victorian-
8. Culture-Developing cultural institutions and ways of life	Creative endeavour-Activities associated with the production and performance of literary, artistic, architectural and other imaginative, interpretive or inventive works; and/or associated with the production and expression of cultural phenomena; and/or environments that have inspired such creative activities.	Building in response to climate - verandahs-
8. Culture-Developing cultural institutions and ways of life	Creative endeavour-Activities associated with the production and performance of literary, artistic, architectural and other imaginative, interpretive or inventive works; and/or associated with the production and expression of cultural phenomena; and/or environments that have inspired such creative activities.	Architectural styles and periods - Victorian Gothic Revival-
8. Culture-Developing cultural institutions and ways of life	Creative endeavour-Activities associated with the production and performance of literary, artistic, architectural and other imaginative, interpretive or inventive works; and/or associated with the production and expression of cultural phenomena; and/or environments that have inspired such creative activities.	Interior design styles and periods - Colonial-
8. Culture-Developing cultural institutions and ways of life	Creative endeavour-Activities associated with the production and performance of literary, artistic, architectural and other imaginative, interpretive or inventive works; and/or associated with the production and expression of cultural phenomena; and/or environments that have inspired such creative activities.	Designing in an exemplary architectural style-
8. Culture-Developing cultural institutions and ways of life	Creative endeavour-Activities associated with the production and performance of literary, artistic, architectural and other imaginative, interpretive or inventive works; and/or associated with the production and expression of cultural phenomena; and/or environments that have inspired such creative activities.	Designing landscapes in an exemplary style-
8. Culture-Developing cultural institutions and ways of life	Creative endeavour-Activities associated with the production and performance of literary, artistic, architectural and other imaginative, interpretive or inventive works; and/or associated with the production and expression of cultural phenomena; and/or environments that have inspired such creative activities.	Landscaping - colonial period-
8. Culture-Developing cultural institutions and ways of life	Creative endeavour-Activities associated with the production and performance of literary, artistic, architectural and other imaginative, interpretive or inventive works; and/or associated with the production and expression of cultural phenomena; and/or environments that have inspired such creative activities.	Landscaping - Victorian gardenesque style-
8. Culture-Developing cultural institutions and ways of life	Domestic life-Activities associated with creating, maintaining, living in and working around houses and institutions.	Country estates - visiting, enjoying-
8. Culture-Developing cultural institutions and ways of life	Domestic life-Activities associated with creating, maintaining, living in and working around houses and institutions.	Ways of life 1900-1950-
8. Culture-Developing cultural institutions and ways of life	Domestic life-Activities associated with creating, maintaining, living in and working around houses and institutions.	Ways of life 1788-1850-
8. Culture-Developing cultural institutions and ways of life	Domestic life-Activities associated with creating, maintaining, living in and working around houses and institutions.	Ways of life 1850-1900-
8. Culture-Developing cultural institutions and ways of life	Domestic life-Activities associated with creating, maintaining, living in and working around houses and institutions.	Living in a bushland setting-
8. Culture-Developing cultural institutions and ways of life	Domestic life-Activities associated with creating, maintaining, living in and working around houses and institutions.	Ornamental Garden-
8. Culture-Developing cultural institutions and ways of life	Domestic life-Activities associated with creating, maintaining, living in and working around houses and institutions.	Kitchens and servants-
8. Culture-Developing cultural institutions and ways of life	Domestic life-Activities associated with creating, maintaining, living in and working around houses and institutions.	Living in a rural homestead-
8. Culture-Developing cultural institutions and ways of life	Domestic life-Activities associated with creating, maintaining, living in and working around houses and institutions.	Valuing women's contributions-
8. Culture-Developing cultural institutions and ways of life	Leisure-Activities associated with recreation and relaxation	Gardening-
8. Culture-Developing cultural institutions and ways of life	Leisure-Activities associated with recreation and relaxation	Gathering at landmark places to socialise-
8. Culture-Developing cultural institutions and ways of life	Leisure-Activities associated with recreation and relaxation	Visiting heritage places-
8. Culture-Developing cultural institutions and ways of life	Religion-Activities associated with particular systems of faith and worship	Convent-
8. Culture-Developing cultural institutions and ways of life	Religion-Activities associated with particular systems of faith and worship	Conducting missions-
8. Culture-Developing cultural institutions and ways of life	Religion-Activities associated with particular systems of faith and worship	Providing schools and education-
8. Culture-Developing cultural institutions and ways of life	Religion-Activities associated with particular systems of faith and worship	Adaptive new use-
8. Culture-Developing cultural institutions and ways of life	Religion-Activities associated with particular systems of faith and worship	Gentlemen's Villas-
9. Phases of Life-Marking the phases of life	Persons-Activities of, and associations with, identifiable individuals, families and communal groups	Associations with Alexander Brodie Spark, merchant-
9. Phases of Life-Marking the phases of life	Persons-Activities of, and associations with, identifiable individuals, families and communal groups	Associations with Conrad Martens, convict artist-
9. Phases of Life-Marking the phases of life	Persons-Activities of, and associations with, identifiable individuals, families and communal groups	Associations with Thomas Birkby, head gardener-
9. Phases of Life-Marking the phases of life	Persons-Activities of, and associations with, identifiable individuals, families and communal groups	Associations with John Glover, landscape artist-
9. Phases of Life-Marking the phases of life	Persons-Activities of, and associations with, identifiable individuals, families and communal groups	Associations with Maurice Felton, artist-
9. Phases of Life-Marking the phases of life	Persons-Activities of, and associations with, identifiable individuals, families and communal groups	Associations with John Skinner Prout, artist-
9. Phases of Life-Marking the phases of life	Persons-Activities of, and associations with, identifiable individuals, families and communal groups	Associations with Georgiana Lowe-
9. Phases of Life-Marking the phases of life	Persons-Activities of, and associations with, identifiable individuals, families and communal groups	Associations with Samuel Elyard, artist-
9. Phases of Life-Marking the phases of life	Persons-Activities of, and associations with, identifiable individuals, families and communal groups	Associations with Frederick Casemero Terry, artist-
9. Phases of Life-Marking the phases of life	Persons-Activities of, and associations with, identifiable individuals, families and communal groups	Associations with John James Clark, artist-
9. Phases of Life-Marking the phases of life	Persons-Activities of, and associations with, identifiable individuals, families and communal groups	Associations with Sydney Long, artist-
9. Phases of Life-Marking the phases of life	Persons-Activities of, and associations with, identifiable individuals, families and communal groups	Associations with John Verge, architect-
9. Phases of Life-Marking the phases of life	Persons-Activities of, and associations with, identifiable individuals, families and communal groups	Associations with Joseph Sheerin and John Hennessy, architects-
9. Phases of Life-Marking the phases of life	Persons-Activities of, and associations with, identifiable individuals, families and communal groups	Associations with Caroline Chisholm, women's advocate and philanthropist-
9. Phases of Life-Marking the phases of life	Persons-Activities of, and associations with, identifiable individuals, families and communal groups	Associations with the Sisters of the Good Samaritan Order-
9. Phases of Life-Marking the phases of life	Persons-Activities of, and associations with, identifiable individuals, families and communal groups	Associations with Slim Dusty-

Assessment of significance


SHR Criteria a) [Historical significance]	The house and gardens of Tempe Estate remain uniquely intact, which offers a rare opportunity for understanding the cultural history of New South Wales. The estate is of historic significance as the grounds and gardens exemplify an historic and picturesque example of typical British models of 19th century landscape styles. Tempe House belongs to a select group of houses owned by prominent individuals in the colony. The unique intactness of Tempe House and the landscape setting of the Estate contributes to an understanding of the cultural history of New South Wales. The Tempe estate is of considerable historical significance as it represents the picturesque aspirations of men of Spark's class during the boom years of the 1830s, and how those aspirations were carried out in the Australian colonial setting.
SHR Criteria b) [Associative significance]	The property has a strong historical connection with Alexander Brodie Spark, an important social figure in New South Wales. Spark, a wealthy entrepreneur of the 1830s also built Tusculum at Potts Point, (now the headquarters of the NSW Chapter of the Royal Australian Institue of Architects). He was the largest landholder in the Cooks River area, was instrumental in the building of the St Peters Church and establishing the early community there. He also made popular the Cooks River area through his patronage of the arts, Tempe and the surrounding areas being the subject of numerous paintings by well known artist since the 1840s largely due to Sparks connections and the picturesque scheme he established on the estate. Many of Spark's original documents are available today and together with the intactness of the Tempe Estate provide an extremely rare and valuable historical asset. As such Tempe Estate and its connection to Spark have exceptional historical significance. The site is associated with several people of renown. As well as the original owner Spark, the Estate is also associated with the architect John Verge who designed the house in 1833, the architects Sheerin and Hennessy who designed the Chapel 1888 and Caroline Chisolm who operated a girls school from the site for a period.
SHR Criteria c) [Aesthetic significance]	The house and setting of Tempe Estate are particularly significant as a conciously designed "Arcadian Villa". Spark erected a house designed by John Verge in keeping with his vision of a Grecian inspired temple. The picturesque ideal involved contrasting tamed expanses of open landscape with clusters of rough or 'wild' outcrops of rocks or stands of trees. Tempe House was placed to take advantage of the ideal romantic and picturesque site on the Cooks River with the 'Mt Olympus' knoll as backdrop. Both the setting and the house designed for it remain an exceptionally intact example of picturesque landscaping and design from the 1830s. These same aspects can be appreciated today despite the many constraints of its setting. The open space leading to the Cooks River provides views of the surrounding area and Fatima Island that are integral to the landscaped scheme and are of considerable aesthetic importance. The surviving views are similar to those shown in the earliest illustrations both from the northern side of the river toward the house and from the house looking northward across the river. The open space is of importance not only as a historical scheme but also for the contemporary community as the Tempe Estate can be appreciated from many surrounding vantage points. As such, the landscape of Tempe Estate must be seen as highly significant. Tempe Estate has landmark qualities as an exceptional space within the local landscape. The 'Olympus Knoll' and exposed cliff face beside Princes Highway and the open parkland from the river combine to give the site landmark qualities. Consciously designed as an 'Arcadian Villa' Tempe house and setting was designed to take advantage of the optimal views and splendor of the Cooks River. With the backdrop of 'Mt Olympus', the house is aesthetically significant as it provides an exceptional example of an 1830's landscape design. Tempe house exemplifies the work of John Verge and includes detail that is not found in his other works. It is the intactness of the original elements in the estate, which generates an extremely high aesthetic significance.
SHR Criteria d) [Social significance]	During the Sisters of the Good Samaritan Order ownership, the site functioned as a place of welfare orientated activities. While not initially opened to the public, the later period of eth Order's administration involved sharing the facility with local religious and sporting groups. Tempe House is also of social significance as a landmark to the local community. The house's association with A.B. Spark, who was active in establishing the local community and the St Peters Church and entertained extravegently, adds to the social significance of the house. The house can be seen to have functioned as a focus for community activities during Spark's ownership. The subsequent use by the Sisters of the Good Samaritan for community welfare activities enhances the importance of this association. St Magdalen's Chapel was built by the Sisters of the Good Samaritan Order and designed by architects Sheerin & Hennessy is historically significant as a representation of the occupation of the site for over a century by the Benedictine Order. The stained glass windows directly memorialise the former Superiors of the Order, while the lives and beliefs of the many other women that lived and worked in the St Magdalen's Retreat are indirectly represented by the Chapel buildings itself. While the many other buildings constructed during the Order's period of ownership have been demolished, the Chapel remains a significant historical component within the site. The Chapel building is significant as the spiritual focus for almost a century of charitable works at Tempe by the Sisters of eth Good Samaritan Order. It represents not only the religious devotion of the Sisters living on the site, but also the philosophy of repentence drining the charitable works that governed the operations of the 'Retreat' during the extensive period of the Order's ownership. Tempe Hosue and its surrounding landscape have considerable esteem at both a local and a state level. Comtemporary interest in the remnant estate, including the natural vegetation on Mount Olympus clearly demonstrates the value attached to the gardens and grounds as an integral component of Tempe House. Tempe Estate has been the subject of several major landscape paintings since the 1830s. That the view of Tempe that has been recorded by artists throughout the last two centuries remains largely intact is of significance to the community familiar with the paintings as well as the wider community. From Tanner & Associates (2001:135-6)
SHR Criteria e) [Research potential]	The site offers a significant opportunity to investigate and study a rare and early example of colonial architecture and landscape. That Tempe Estate has been the subject of several major landscape paintings since the 1830s and that those views largely remain today is of significance for providing a rare opportunity to view the preferred subject matter of 19th century Australian picturesque landscape paintings. The remaining features of the garden and grounds of Tempe have the potential to reveal the early cultural and natural landscape of eth place. The archaeological remains on the site have the potential to provide evidence associated with not just Spark and his family but also with the large number of servants and convict staff used to establish and maintain the estate. The analysis and interpretation of the archaeological remains from this site should provide evidence of the material culture of the various occupants of the house as well as contributingc to the understanding of the design and development of gardens in colonial Sydney. The archaeological structures and remains on the site would be able to contribute knowledge into several research questions: The material culture of Tempe House and grounds are likely to contain artefacts and structures whose analysis can provide us with socio-economic information about elite living conditions, including patterns of consumption. It will also inform us about working, accomodation and living conditions for convicts on colonial properties. The analysis of the underfloor deposits should be able to add to our knowledge about identification of socio-economic status, gender relations and other areas of substantive archaeological research. Location of structural remains of outbuildings associated with Tempe House will add to and improve our understanding of the layout of early colonial estates. Recording the location and construction of the gardens elements will contribute to knowledge about colonial garden design in Sydney. Interpretation of this evidence will help inform us about the ideological influences involved in the design of this landscape. The archaeological evidence associated with the Sisters of the Good Samaritan and their institutional buildings should shed light on the changing practices of reformatory institutions and the practices of reform and respite. There is great interest in the practices of institutions, in how they controlled the lives of inmates to achieve certain ideological intentions. In this case helping women to 'renounce their evil habits'. The potential for intact archaeological evidence associated with the Sisters of the Good Samaritan would provide substantive evidence fro how this late nineteenth century reform institution operated and the way in which the ideology of reform and resistance to it impacted on the physical structure as well as the material artefacts. The reformatory period evidence may also help inform us about the attitudes of the dominant ideology towards women and how gender relations were constructed between the women inmates and between them and their (female) supervisors. Tanner & Associates 2001:137-8
SHR Criteria f) [Rarity]	The house combined with its setting is a rare example of a relatively intact picturesque landscape scheme from the 1830s and 1840s. The integrity of the twelve acres of land immediately surrounding the house offers a rare opportunity for the appreciation of a picturesque aesthetic as designed in the early nineteenth century. Tempe is a rare and exceptionally intact example of John Verge's work. It is a unique example of a Georgian neo-Classical design, fulfilling both the criteria of the villa and the cottage orne. St. Magdalen's Chapel, although relatively plainly finished on the exterior , it contains some very unusual features, notably: corbelled stone eaves; stone pediments above apse windows, which project above eaves line at the northern end; vaulted cedar boarded ceiling of rare design. Although not as developed as other examples at Elizabeth Bay House (no longer extant) or Government House, the survival of the Australian shrubbery within the garden is rare. The group of eucalypts and associated vegetation on Mount Olympus has some scientific value as an indicator of the natural vegetation communities of this part of the Estate. The use of the main house by the various occupants could be elucidated by archaeological evidence. Archaeological investigation and analysis of the site is likely to reveal remains and information not available from other sources. The site may contribute data relevant to early nineteenth-century households and economic status in this part of Sydney. The opportunity to examine archaeological assemblages that might contribute to such knowledge is rare and diminishing. The artefact assemblage should reflect all classes of people who lived in the house: owners, servants and convicts. The evidence associated with the reform institutions is rare and if it survives with any level of integrity it provides knowledge that no other resource can. This site has the potential to contain archaeological remains associated with two significant phases of occupation of the site. The occupation by Alexander Spark and family and the reform institution operated by the Sisters of the Good Samaritan. The knowledge to be gained from the analysis of the archaeological material excavated from the study area is relevant to general and substantive problems relating to the archaeology and history of Australia. Some of the areas of research that are germane to historical archaeology are questions relating to: - colonial attitudes towards hosue and garden design and private recreation - identification, analysis and interpretation of living conditions and class structure within nineteenth-century society and how this evidence is structured within the archaeological resource; - working, accommodation and living conditions for convists on colonial properties; - examination of the role of gender relations and how it structured nineteenth-century life especially with reference Tanner & Associates 2001:138-9
Assessment criteria:	Items are assessed against the State Heritage Register (SHR) Criteria to determine the level of significance. Refer to the Listings below for the level of statutory protection.

Recommended management:

Recommendations

Management Category	Description	Date Updated
Recommended Management	Review a Conservation Management Plan (CMP)
Recommended Management	Prepare a maintenance schedule or guidelines
Recommended Management	Carry out interpretation, promotion and/or education

Procedures /Exemptions

Section of act	Description	Title	Comments	Action date
57(2)	Exemption to allow work	Heritage Act - Site Specific Exemptions	The maintenance of any item on the site where maintenance means the continuous protective care of existing materials. The minor repair of the building where minor repair means the repair of materials by patching, piercing-in, splicing and consolidating existing materials and including minor replacement of minor components such as individual bricks, cut-stone, timber sections, tiles and slates where these have been damaged beyond reasonable repair or are missing. The replacement should be of the same material, colour, texture, form and design as the original it replaces and the number of components replaced should be substantially less than existing. Garden maintenance including cultivation, pruning, weed control, the repair and maintenance of existing fences, gates and garden walls; tree surgery, but not extensive lopping. The demolition of, or alterations to the interior of, the existing Priest's cottage as described in the survey drawing numbered F186 by Rygateand Partners and dated September 1989. The installation of underground services subject to the preparation of a report and recommendations by a qualified archaeologist, to be approved by the Manager of the Heritage Branch, Department of Planning, prior to the commencement of any works on the site and to be carried out with such supervision as recommended necessary.	Jun 8 1990
21(1)(b)	Conservation Plan submitted for endorsement	Tempe Estate CMP	CMP covers house, chapel, setting, grounds and archaeology - all in one large volume	May 9 2001
39	Minister makes heritage agreement	Heritage Agreement signed by Minister	The Heritage Agreement will guarantee conservation works on the site, as well as the ongoing use, management and maintenance of Tempe House in accordance with the Conservation Management Plan, Archaeological Management Plan, and Schedule of Works conditionally approved by the Heritage Council.	Mar 26 2002
57(2)	Exemption to allow work	Standard Exemptions	SCHEDULE OF STANDARD EXEMPTIONS HERITAGE ACT 1977 Notice of Order Under Section 57 (2) of the Heritage Act 1977 I, the Minister for Planning, pursuant to subsection 57(2) of the Heritage Act 1977, on the recommendation of the Heritage Council of New South Wales, do by this Order: 1. revoke the Schedule of Exemptions to subsection 57(1) of the Heritage Act made under subsection 57(2) and published in the Government Gazette on 22 February 2008; and 2. grant standard exemptions from subsection 57(1) of the Heritage Act 1977, described in the Schedule attached. FRANK SARTOR Minister for Planning Sydney, 11 July 2008 To view the schedule click on the Standard Exemptions for Works Requiring Heritage Council Approval link below.	Sep 5 2008

Standard exemptions for works requiring Heritage Council approval

Listings

Heritage Listing	Listing Title	Listing Number	Gazette Date	Gazette Number	Gazette Page
Heritage Act - State Heritage Register		00725	02 Apr 99	27	1546
Heritage Act - Permanent Conservation Order - former		00725	08 Jun 90	74	4678
Local Environmental Plan	Tempe House Precinct		25 Aug 00
National Trust of Australia register	Qantek Centre Formerly St Magdalene's Retreat And	9392	24 Feb 76
Register of the National Estate	St.Magdalene's Retreat	3330	21 Oct 80

References, internet links & images

Type	Author	Year	Title	Internet Links
Written	(edited by) Graham Abbott and Geoffrey Little	1976	Respectable Sydney merchant, A.B. Spark of Tempe
Tourism	Attraction Homepage	2007	Rockdale Heritage Drive	View detail
Written	Austin Australia Pty. Ltd.	1989	Tempe House site, no. 1 Princes Highway, Arncliffe : submission to the Heritage Council of N.S.W.
Written	Casey & Lowe P/L; Tanner & Associates	2002	Final Archaeological Management Plan - Tempe House and grounds
Written	Dianne Kopae	2003	On way back to glory (St George & Sutherland Shire Leader 2/9/03)
Written	erratum - reuse this entry
Written	Gifford Eardley		Tempe and the Black Creek Valley / described and sketched by Gifford Eardley
Written	Howard Tanner & Associates Ltd.	2001	Tempe Estate Princes Highway & Arncliffe Street, North Arncliffe : conservation management plan, April 2001
Written	Jean Slotboom	1977	Tempe: its history, conservation and restoration
Written	Mick Freedman	2004	Tempe House restoration (St George & Sutherland Shire Leader 29/1/04)
Electronic	Morris, Colleen	2008	Lost Gardens of Sydney
Written	Tamara McLean	2004	Let the restoration begin (St George & Suth. Shire Leader 13/1/04)
Written	Tanner & Associates	2000	Tempe House restoration and foreshore improvements Princes Highway & Arncliffe Street North Arncliffe : heritage impact statement to accompany development application and section 60 application for demolition of accretions and removal of nominated trees
Written	Tanner & Associates	2000	Tempe House restoration and foreshore improvements Princes Highway & Arncliffe Street North Arncliffe : statement of environmental effects
Written	Tanner Architects	2007	Tempe Estate Management Plan
Written	Tanner Architects	2007	Tempe Estate Interpretation Plan
Written	Urban Bushland Management Consultants and CAB Consulting P/L	2004	Landscape Management Plan - Tempe House

Note: internet links may be to web pages, documents or images.

(Click on thumbnail for full size image and image details)

Data source


The information for this entry comes from the following source:
Name:	Heritage Office
Database number:	5045451
File number:	EF14/5253; S90/6255; HC 32012

Every effort has been made to ensure that information contained in the State Heritage Inventory is correct. If you find any errors or omissions please send your comments to the Database Manager.

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